End of Year Band Evaluation

The “End of Year Band Evaluation” can make a difference with you, your students and your program. Read this article and then download a FREE PDF here (and sign up for our weekly newsletter). If you’re already signed up for our newsletter click here.  Use these ideas as a template and adjust over the years to fit your needs.

Without proper self-evaluation, failure is inevitable. – John Wooten

Celebrate what you accomplish, but raise the bar each time you succeed. – Mia Hamm

The end of the year is the perfect time to look back and evaluate how close you came to your goals. Take the time to fill out this checklist for every class. If you make this an annual tradition you will have a better sense of how to start the year and how to plan better to reach your goals.

End of Year Band Evaluation

This is not a ‘checklist’ but a ‘percentage list.’ Fill in the line to the left of the objective with the percentage of students that are able to meet that goal consistently (95% of the time or more). For example, if 10 out of 20 students in one class can count syncopated rhythms independently 95% of the time, you would write 50% in that blank.  If all 20 students can do it 95% of the time, you’d write 100.

This list is meant to be filled out for each class. It is structured for beginning band but can be adjusted for advanced bands. The more you can break it down by section, the more specific feedback you will have. There are some places where you can add instrument specific objectives. You can also add your own notes on the sides/bottoms of pages.

This is meant to be saved and referred to when setting goals for future years and gauging progress in future years. By reflecting on the year in May, you can set goals for the next year while priorities, strengths and weaknesses are fresh on your mind. If you fill out evaluations yearly (and save them), you can reap great benefits for improved teaching and growth in the quality and success of your program.




Student – End of Year Band Evaluation

Class Routine
____ class starts quickly and quietly
____ students know the routine for class and can replicate it at home for practice

Posture
____ feet flat, back straight, sitting tall on front 4 inches of chair
____ instruments are held in correct playing position
____ hand position is correct when playing
           ____ right hand
           ____ left hand

Participation/Behavior
____ students are actively engaged from ‘bell to bell’ (entire class period)
____ students have instruments to their face, ready to play at correct times
____ students refrain from talking unless appropriate
____ students have positive attitude about band class

Notes – __________________________________________________________________________________________________

Tone
____ students play with correct embouchure (fill in specific attributes)
            ____
            ____
            ____
            ____
____ students play with characteristic sound
            ____ on whole note
            ____ on moving notes
            ____ when tonguing
            ____ in all ranges
____ students play with excellent breath support
____ students play in tune (as developmentally appropriate)

Rhythm
____ foot tap is big/strong and constant
____ simple foot tap (down/up)
____ compound foot tap (down/press/up)
____ students have aural and mental pulse
____ can pulse the 8th note or 16th note as appropriate
____ can subdivide beat while playing accurate rhythms independently
____ students are able to clap rhythms while foot keeps the beat
____ confident voice
____ complete individual participation when group counts

Rhythmic patterns students can count/clap/foot tap individually:
____ quarter notes ____ eighth notes ____ sixteenth notes
____ half/whole notes ____ dotted quarter notes ____ 6/8 dttd 8th/8th notes
____ dotted half notes ____ syncopation ____ 6/8 sixteenth notes

Music Theory
____ note names (immediate recall within practical playing range)
____ musical symbols – clef, bar line, repeat sign etc.
____ understanding of key signature
____ apply key signature consistently
____ enharmonics (sharps/flats and how they relate)
____ parts of instrument, instrument care, reed care

Notes – __________________________________________________________________________________________________





Technique

List supplemental exercises here (ex. brass lip slurs, clarinet register studies)
            ____
            ____
            ____
            ____
____ how far did you get in the book (write line # in blank)
One octave scales (Tempo =___)
____ Concert Bb            ____ Concert F            ____Chromatic
____ Concert Eb            ____ Concert C
____ Concert Ab            ____ Concert G
____ Concert Db            ____ Others – ____________
Two octave scales (Tempo =___)
____ Concert Bb            ____ Concert F            ____Chromatic
____ Concert Eb            ____ Concert C            ____ 3 oct Chromatic
____ Concert Ab            ____ Concert G            ____ Full Chromatic
____ Concert Db            ____ Others – ____________
Overall range
100% of students can play this range easily – ( ____ low to ____ high)
80% of students can play this range easily- ( ____ low to ____ high)
50% of students can play this range easily- ( ____ low to ____ high)
____ students use correct alternate/chromatic fingers when needed

Articulation
____ students look correct when tonguing (no movement)
____ students tonguing sounds correct
____ students consistently tongue/slur correctly on prepared music
____ students consistently tongue/slur correctly when sightreading
100% of students can tongue 8th notes at this tempo easily m=____
80% of students can tongue 8th notes at this tempo easily m=____
50% of students can tongue 8th notes at this tempo easily m=____
____ students tongue legato while maintaining a good tone
____ students can tongue staccato while maintaining a good tone

Notes – __________________________________________________________________________________________________




Discipline
____ students meet deadlines on paperwork assignment (return forms etc.)
____ students meet deadlines on playing assignments
____ students meet expectations on home practice
____ students attend section rehearsals/other rehearsals/individual appointments
____ students attend concerts/performances

Practice Techniques
____ students use metronome, tuner and/or other tools as appropriate
____ students count/clap and name/finger before playing new lines
____ students practice in small sections (1-2 measures)
____ students practice what they don’t know, not what they do know
____ students perform for others (in class/at home)

Notes – __________________________________________________________________________________________________

Strengths – __________________________________________________________________________________________________

Weaknesses – __________________________________________________________________________________________________

Priorities for next year – __________________________________________________________________________________________________

Program – End of Year Band Evaluation

Retention
____ students that were enrolled at the beginning of the year are enrolled now
____ students that are enrolled now have selected band for next year
Goals for retention next year: __________________________________________________________________________________________________

Private Lessons
____ students enrolled in private lessons at the beginning of the year
____ students enrolled in private lessons now
Goals for private lessons next year: __________________________________________________________________________________________________

Students with step-up/high quality instruments
____ students who currently have an acceptable quality instrument
____ students who currently have acceptable quality reeds/mouthpieces/supplies
____ students who have above average (advanced/professional) instrument
Goals for improved instrument quality next year: __________________________________________________________________________________________________




Administrative Support
____ director has shared positive news with administration through the year
____ director has privately thanked administration
           ____ principal/assistant principal
          ____ fine arts administrator/superintendent
____ director has publicly thanked administration
____ director has positively communicated need with administration
____ director has followed school protocols and supported school-wide goals
____ director collaborated with administration about:
           ____ calendar/scheduling
           ____ finances/staffing/supplies
            ____ parent and student problems as they arise
Goals for administrative partnership next year: __________________________________________________________________________________________________

Parental Support
____ parents provide needed band supplies for students
____ parents support students practice time
____ director has educated parents about the need for practice and practice routine
____ parents attend concerts
____ approximate number of parents that have entered your band hall this year
____ approximate number of parents that attend booster meetings
____ approximate number of parents that:
           ____ chaperoned a band event/trip
           ____ assisted in the band hall with paperwork type activities
____ number of emails you sent inviting parents to volunteer (not attend concerts)
____ number of individual, personal thank you letters/emails sent to volunteers
____ director has publicly thanked volunteers as a group
Goals for parental partnership next year: _____________________________________________________________________________________________

Teacher (Campus) Support
____ approximate number of teachers who have attended a concert this year
____ number of times you have attended another teacher’s event (sports, art show)
____ number of personal thank you notes/emails you have sent to another teacher
____ director has sent thank you notes to elementary school teachers
Goals for campus partnership next year: _________________________________________________________________________________________________

Community Support
____ director has made community aware of band successes
____ newspaper articles
____ district/school website
____ school sign/marque
____ performance in community (parade, elementary schools)
Goals for community partnership next year: __________________________________________________________________________________________________

Ask yourself if what you’re doing today is getting you closer to where you want to be tomorrow.

Never stop investing, never stop improving, never stop trying something new. – Bob Parsons




Download a FREE PDF of the evaluation here (and sign up for our weekly newsletter). If you’re already signed up for our newsletter click here. Use these ideas as a template and adjust over the years to fit your needs.

Related Reading:
Keeping School-owned Instruments in Top Condition
Meaningful Gifts for your Students as the “Graduate” from your Program
Organizing a Band DIRECTOR Calendar (to help you next year)

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